Introducing Sam Prather also known as FRIEDSKRIMPZ

Welcome to Portculture x Urban South! This is your first time showcasing your work with us. What’s something you’re looking forward to during this show?
Well, I’ve never drank beer while showing my art, so that’s going to be cool. I was also going through the instagrams of all the other artists and definitely want to meet them in person, connect, and make new art friends. I’ve been wanting to collab for a minute.
Have you participated in other art shows? If so where?
Oh yeah, I’m from Baton Rouge and hustled the most I could in college. I started in early high school with a weekly neighborhood showing, Stabbed in the art, I’ve shown in the BR City Park Gallery, I did seasonal markets in BR’s mid-city, had a booth at BR’s Queer Fest… The first show I ever did in NOLA was at a RAW event, and more recently at a yoga studio. In the process of doing all of these, I am trying to learn my clientele, and where my art fits in best.
What inspired you to come to New Orleans and sell your art?
NOLA always was my get-away from BR. I never really fit in there. I was quirky and closeted. Of course I had my friends, but frat culture and conservatism bothered me to no end. So I looked forward to the weekends or the events I would come down for, and danced and basked in weirdness that creates the culture of this city. Also, even after I did a bit of travelling, I still felt this connection to NOLA, like it’s energy was signaling to me to come, grow and flourish. When I graduated college, I go over here as fast as I could and found a job. These last four months I’ve been here have been amazing.
How did you find out about the Portculture art experience?
Hehe, that NOLA magic energy. I was invited to one before I moved here, but didn’t know what it was or who put it on. A few months later, when I have settled in, I went to Hari Krishna with a couple of friends. My friend Anna introduced me to this cool guy toting an amazing art magazine, Leeaux, and here we are! Art show connects over free Indian food, I can dig it.
Do you plan to make a living from your art?
Soo I am currently between two worlds. I am legal assistant for the state. Art is my passion, but I am also extremely interested in law. Right now, big girl job is funding art. I am working to balance the two right now, but if one over-powers the other, I’ll let it happen. Law school might be a thing. But also meeting the right people, showing in the right places, might also be a thing. We’ll see. I’m giving myself two years to figure it all out.
Where do you see yourself in the next year, literally June 23rd 2019.
Still living that good NOLA based life, with many new experiences under my belt. Hopefully I get some international travel or a few through hikes in before now and then.
What inspires you to create?
The natural world, I am not good at interpreting rigidity. I’ve painted lots of plants and animals. Sensuality. I like painting fruits. Organized chaos. Poetry, I am doing 3 paintings for a series of poems my witch friend wrote for a showing we’re doing together. Turn of phases, wordplay and concepts, I reworked a painting recently based on the Ego, and one of my first surreal paintings was “Eyelands, mouths of Rivers,” I’ll let you visualize. I also enjoy the concept of masks and I love finding interesting photos of people wearing them and recreating them into drawings, as well as religious imagery.
Do you think pop culture has a deeper influence in modern art that is being neglected unless you’re already “famous” or “known”. (Meaning do you think the trends that influence the art we see everyday isn’t digested properly unless they are already established artists?) *optional*
Oh definitely. While I can submerge myself in the artists I like and follow on social media and magazines, I find myself guilty of this when I go to museums. The first and best example I can think of was when I went to the Louvre. I didn’t go for the purpose of seeing Mona, there was a meso-American exhibit I heard about, but when I go near where she was, I felt the energy surrounding her and gravitated towards the crowd. I could only get in the proximity, I wasn’t about to fight a crowd of tourists with selfie sticks, but when I turned around I was in awe of this beautiful, enormous, fantastically detailed mural that looked like it took a life time to create. The artist was one that I have never heard of in my base level art studies, Paolo Veronese, which is quite a shame because he was obviously a master artist. I feel that the French have such a sense of humor to put this piece of art across from Mona. I suppose it was done for tourists to question their artistic sensibilities, so that they do not get caught up in the group think of trying to capture the image of a known piece, and admire an almost infinite masterwork.
What makes great art?
Hmm.. Subjectivity is the only thing shared when it comes to the consumption of art. I guess it’s utilizing the power of this subjectivity to hone in on emotions. Rothko comes to mind for me. His art constructively simplistic, yet the depth of his emotional turmoil was transferred to his canvases. This, mixed with the generation he was painting, was the formula to success, and making his art, subjectively, great.



Introducing Patrick Rulh, aka @dirty_funq


Introducing New Orleans based artist Patrick Rulh (aka @dirty_funq)
Patrick, 26, is an artist based in New Orleans. He came across Portculture from seeing posts on Instagram from artists floating around our society.

“I love this program”

“This gathering has increased the exposure of my art to a wider audience also allowing me to network effectively with a lot of fellow creatives in the city”

“It’s created an environment for me that helps provide a sense of belonging. Everyone I’ve met through Portculture so far has been incredibly genuine and supportive. There’s a lot of love here inspiring me to keep creating”

“I’m greatly influenced by the energy and aesthetics of my surroundings; the small nuances and details in things. Also seeing people create dope things plays a huge role in inspiring me to create. Whether it’s someone crushing a mural or watching somebody do a sick line in a skate video- seeing people push themselves to the limits makes me push harder to improve. All in all having the ability to create is essential to balancing my equilibrium and sense of self fulfillment”

We asked Patrick where does he see himself in the next year pursuing art here his reply was,

“I see myself continuing to network and improve my skills and vision as a creative. I’d like to display my artwork at a variety of venues across the city and also delve into video work a bit more.”

What do you love about New Orleans?

“I love New Orleans for its vibrant energy. Once you spend a substantial amount of time here, everywhere else seems boring. Nowhere else looks or feels like New Orleans.”

We definitely also had to find out what is your favorite Urban South Beer? Holy Roller 🍻

Find @dirty_funq and a collection of other brilliant artists this Saturday here at Urban South- 5 to 9PM we will be presenting a fresh wave of creativity.

Follow the palm trees #portculture  – Stick around for more artist features. xo 🌴🌴

A Very Pretus New Year

A Very Pretus New Year

Local New Orleans musician and longtime friend, Brian Pretus, has been successfully and extensively touring with the punk band, PEARS, for the past couple of years.  He had previously gained immense local support through groups like The Lollies and Dead Legends, but PEARS gave him his first taste of worldwide attention and allows him to play alongside musicians we idolized as kids. After selling over a thousand copies of their second album, Green Star (Fat Wreck Chords), and touring for a month with punk rock heavyweights, NOFX, they’re back home in the Big Easy to relax for six months.  This is the longest break they’ve had since their first tour in 2014.

I’ve been fortunate enough to remain good friends with Pretus throughout the past decade and have watched him recently exchange vows to his wife, Catherine, as well as take the role of Step Father to her daughter, Rori.  We would’ve made plans to catch up in the Newman parking lot while foolishly devouring Olde English in glass bottles on top of wet cement and nostalgia. Unfortunately, our beloved spot outside the Neutral Ground Coffeehouse and Olde English in glass bottles no longer exist. So we decide to hang on his front porch in Algiers over a couple of canned beers and cigarettes on a dreary night in early January.  New Years recently past and neighbors are finishing up what’s left of their firework collection.

I ask Brian what his hopes and expectations of 2017 are:

“I need to learn how to shred like a metal dude, like to my standards, because I’ve never been able to solo. I need to learn my scales. I mean I know ‘em but I don’t know how to play the pentatonic scale like both ways or whatever. I wanna get fast with them. I guess I got kind of lazy playing the PEARS stuff because I mostly use big power chords. I’m always using six strings but it’s usually the same formations. My fingers don’t bounce around like they should, ya know? They’re real heavy. I need to learn that part of the guitar too so, I can be the best ‘cause I’m gonna be.”

He smiles and lets out a howling laugh in a way to question whether or not he’s modestly laughing at himself or because he believes that to be true, a testament to his unshakeable optimism.

“Also, I wanna be the best step dad in the world. I wanna help Rori with school a bunch. It’s a tough, confusing time for any kid and I wanna be there to support her. I’m gettin’ her a computer tomorrow. She really likes Minecraft a lot. I think it’d be cool if she learned how to code stuff. I don’t wanna tell her what to do for a living and, of course, we embrace who she is. Like, we still let her sport her Black Flag ‘Slip It In’ back patch when we go grocery shopping. I don’t care if people think it’s obscene. Fuck them, it’s 2017. You don’t have time to be offended in 2017, get smarter and learn how to code. It’s the future. Machines are taking over every single fucking job in the whole world and there’s only a certain amount of people smart enough to run those machines. That’s the future for every child her age. Technology is growing faster all the time which is insane to think about. We don’t have flying cars but you’ll see one soon enough because of the demand and curiosity for it. You’ll be fucked if you don’t know how to use computers.”

Shyly, Rori steps outside and asks if anyone would like a popsicle.  We politely decline.  She steps back inside and Brian smiles proudly as she shuts the door.  Obviously warmed by her hospitality, Pretus looks at me with eyes that say “Isn’t she the best?” and chuckles.  The offered sugar-filled treat directs Brian’s mind to weight-loss.

“That’s another thing. I’m fat as fuck and I gotta stop… I gotta get healthy, that’s another resolution. This six-month break is gonna be tough if I don’t get healthy because I can barely play our set. It’s so difficult that, if I’m fat and shitty, it’s not gonna be good. I mean we get exercise on stage. I’ve never sweat that much for anything else I’ve ever done. It’s so fucking hot all the time. Whether it’s in a hot basement or on stage with the hottest lights in the universe, we sweat. But I eat garage food on the road, lose weight on stage the whole time, and gain it right back as soon as I’m home. It isn’t healthy.”

Ironically, like a bird that sings about its cage, Brian opens another beer and takes the crisp, first sip.

“Catherine wanted to get into juice fasting. But, apparently, if you don’t eat all the stuff that’s left over then, you’re not gonna be full at all. So, we’re doing smoothies. We blend it all together and just drink it. I like smoothies better anyway, they’re more professional. I love Smoothie King too. I gonna get that. Oh, I could totally get that. It’s in my diet.”

Brian lets out another laugh and explains how he’s going to get used to saying that, mentally high-fiving himself.

“I remember this dude I used to eat high school lunch with went vegan and he became healthier than ever even though he was drinking like a fish. He used to have this really bad bowel problem before he changed his diet. No matter what, every time he had to shit, it’d always be an emergency and it’d take him an hour. He’d almost be in tears when he was done. It was fucked up. He didn’t know what to do. Get checked for colon cancer? It was a problem. Then another dude started taking shits like that but we didn’t think he’s shitting the whole time. We think he’s just lazy and wanted to ditch class. Once one dude started taking hour-long shits, this other guy started taking hour-long shits (?) That’s not how you do it. Way too obvious when everyone ends up an hour late. But yeah, anyway, I need to stop eating shitty food.”

Pretus asks about my dietary habits and we speak about smaller portions, observing healthier options, and my prior experiences with vegetarianism.  He mentions the importance of considering time to eat and how difficult it was to obtain a steady routine during his tour with NOFX because of consist 3PM load-ins.

Like every guitarist, he eventually digresses into talking about his equipment.  His tried and true Marshall JCM 900 broke on tour, forcing him to consider other options.  Blackstar reached out to him and offered him a replacement.  Dissatisfied with their “overly-compressed” tone, Brian hastily returned it.

I ask him if he had any gear upgrades in mind for 2017:

“Gear-wise, I want a gold-top Gibson Les Paul by the end of year ‘cause I’ve been waiting too long for that like my entire life. My brother had one when I was a kid and he never let me play it. So, I’m getting that shit now although I can’t play anything but a SG live. My arms are real short so, if the guitar’s any thicker than a SG like a Les Paul, it’ll make my arm poke out if I’m standing and it hits a weird muscle in my arm. I don’t like it. Besides, I’m so used to the SG at this point, I don’t ever have to look at the neck anymore. I know exactly how far away everything is on that thing. It’s the perfect size for me. A lot bands switch it up but, they don’t have short arms like I do.”

Brian’s older brother, Jonathan, is another New Orleans musician.  Jonathan’s traveled the world with Mardi Gras legends, Cowboy Mouth, and now has been playing with The Brenton Sound, a New Orleans Rock’n Roll mainstay.

I ask about their brotherly rivalry and Brian immediately corrects me:

“It’s definitely not a rivalry. He’s been apart of my motivation my whole life. Every time he’d play guitar, I’d want to play guitar. Every time he’d play drums, I’d want to play drums. I wanted to copy him’n shit. He’s taught me so much during my senior internship in high school. He brought me on tour with Cowboy Mouth. If it weren’t for that kind of stuff, I wouldn’t know how to be pro or the terminology of any professional event.”

We’re suddenly interrupted by a string of loud pops unlike the sound of fireworks we’ve been hearing throughout our conversation.

“That’s definitely gun shots. You hear ‘em all the time. You can hear ‘em from both sides of The [Mississippi] River. It’s pretty nice, puts ya to sleep. I like gun shots mixed with the sound of rain ‘cause, ya know, it’s the real deal when they gotta go outside to shoot each other in the rain.”

Pretus pauses to light another Pall Mall Light 100 and his face becomes illuminated by the flick of his Bic.

“But, anyway, it’s not a rivalry.”

Brian exhales a translucent cloud of smoke.

“I’m capitalizing on everything Jonathan’s taught me. I quit The Brenton Sound to do PEARS and, if I wasn’t going to do it the best I could, it would’ve been a dick move. Being as rad as he is motivates me. I don’t wanna let him down. Hopefully, he’ll read this and call me to say that he loves me.”

PEARS have been touring frequently for two years.  Now that they’re all back home, I inquired what they’ve been up to:

“Well, Zach went on a solo tour that was apparently pretty cool. His acoustic album is like my favorite record of last year. I wrote and recorded twenty songs for paying people as Christmas presents. A girl paid me $150 to write a song about her boyfriend but both of them are married and they’re each other’s secret, side thing. That’s probably my favorite one.”

Rori steps back outside and playfully stomps her feet.  She cries, “Sailor Moon is in Japanese and I don’t get it.”  Brian responds, “Well, I guess you gotta learn that next,” keeping her education in mind by encouraging her to deal with difficult situations with pliability and intelligence.  She rebuttals with “But, but, but…”  Brian kiddingly mocks her and she steps inside.  Brian turns, asks if I’d like to hear some the contracted songs he’s recorded, and eagerly takes out his Android.

Brian plays a song that echoes his longtime appreciation for Pop Rock without jeopardizing his obvious love and commitment to Punk.  I’m shocked to hear a full band backing Brian’s Powerpop anthem, not simply an acoustic guitar.  It’s obvious that he spent a lot time recording each instrument, an exercise of his perfection and a toast to his creativity.

I voice my bewilderment of style, the devout punk rocker quickly laughs and says:

“Fuck no. I don’t do acoustic stuff… But I’m still not done all the songs. Who knows? Maybe. There’s so many requests! It’d be fun to mix it up a little bit. The last one, some guy wants me to do a Coheed & Cambria cover. I’m thinking about slowing it way the fuck down and making it into a doom sorta deal and be like ‘whatever, I’m done.’ It’d be fun to make this ridiculous thing at the end.”

The conversation takes another turn towards PEARS, speaking of past accomplishments, and tritely mentioning the future.  It’s clear that Brian understands the rigorous amount of effort they’ve put into the band since it’s kickoff but he still remains wonderfully excited for what’s to come.

The whole goal for the band when we started was to spend the next three to five years focused on touring and, if it doesn’t work, we’ll give up. At least we would’ve tried to see whole United States and maybe Europe. Once we went to Australia, I was like, ‘holy shit, we can pretty much go anywhere now.’ We didn’t realize it would be to this extent in the beginning. The first time we went to Europe, I didn’t remember anybody’s name when we got back because I didn’t expect to see those people ever again. But when people were asking us to return immediately after getting home, we figured we gotta go back. Now, going back for the third time, we know people and we’re actually getting to see the cities. Even though we only get to see a block of each place every time we go somewhere, we get to see another block each time we go back. We’re constantly trying to see more and more and more. Not to mention that we’ve made friendships that’ll probably last forever. I wouldn’t rather be doing anything else with my time. Traveling, meeting people, playing crazy places, it’s a dream. And now we can play in Cuba! CJ Ramone played in Cuba! Did you know that?! Yeah, the first American punk band to ever play in Cuba. So tight, so jealous. Can you imagine being a punk fan in Cuba and bands aren’t allowed to come to your city because of your stupid coach or whatever?

Brian swigs his beer and continues:

“We hope to do a full Mexican tour and eventually go to South America as well. Japan, China, southeast Asia, the Middle East, Africa, you name it and we’ll go. The biggest goal for the band now is to play North Korea so, we’re gonna have to figure out how to play there. The backup plan is to sneak into the woods and play on generators just to say we did it. PEARS is definitely a means for me to see entire the world and I plan on doing it as long as nobody dies. Please, don’t die.”

Talking about traveling, I ask him if he has a favorite spot:

“Holy shit, everyone should play Amsterdam. Heaven exists and it’s not that far away. It’s Amsterdam. You know what’s legal there? Mushrooms.”

We exchange stories of drug use and chuckle.  He tells me stories of the band’s transatlantic antics and how he heavily encourages the U.S. to legalize as many drugs as possible.  Pretus believes under the right education and proper responsibility, drug use can benefit our society.

These stories lend themselves to devolve slowly into more and more tales about our mutual friends like our conversations typically do.

Before the interview ends, Brian asks me the closing question:

When was the last time you saw Austin Winchester? I love that dude.

With a smirk, I respond:

He was at my show the other night, you were there!

We share another laugh, crack another Miller Lite, and continue to talk about how badass Austin Winchester is before the night is over.

PEARS plans for a European tour throughout July and August.

Locals can catch Brian playing Wednesday, January 25th at Hey! Café with supergroup, The Rooks.  Profits of the show will be donated to 1919 Hemphill DIY Space.

For more information about PEARS, please visit:

Follow PEARS: FaceBook // Twitter // Instagram

Author/Writer: G. Manson
Music + Art + Culture

Pizza With LUKE BANTER – A Portculture Exclusive

The day is Wednesday, November 30th and we just arrived at a quaint spot in Mid-City area of New Orleans called G’s Pizza. An uber makes his way to the spot. I’m greeted with water and a lemon while Luke Banter makes his way in through the side door. We shake hands. He takes a seat. The time is now 1:33 ish. Brilliant.

Luke and I order the Wednesday special. Can you believe this, it’s one large pizza and the second large comes for $1.00- insane. So we had the pleasure of enjoying two pizzas split in fours – one chicken bacon ranch / cajun shrimp and the other a rainbow / greek pizza. G’s Pizza is life. (Web)

Two days over twenty Luke asks me how we ended up doing what we do with portculture, how we created “our own thing” and honestly I gave him the rundown. We began in Shreveport, Louisiana promoting for a very long time off and on throughout the scene, then developed branding of our organized events as Portculture in early 2015- then partnering with a few friends along the way to make it more official. In turn made me ask- How long have you been making music as Luke Banter? We caught onto Luke through a social interaction on twitter. He connected with us because he believes in connecting with the scene, learning about it, caring about it.

“I’ve been making music for a couple days over two years- I was born two years ago”

Curious me, wondering how a two year old is this active, I ask where are you going to school?

“ Somewhere part-time at some school on Freret” he responds. Neat, that’s a cool street sometimes.

Through our interaction I learned a lot about this rapper. Luke sometimes wishes to be a producer. He carries a few titles under his belt as well, he’s very into throwing events as Decorated, strongly wanting to build a platform is a direction he desires aside from instagram and twitter. Like a web site that he promos artists on to some nature. We are certainly looking at a potential partnership, so stay tuned for these pop ups.
Luke has performed at Eiffel Society, The Little Gem Saloon, Afterburn, Republic, Tipitina’s.


The conscious and caring soul begins to talk about his career taking a sling shot effect. We were discussing the benefits of putting a lot of work into the NOW for the LATER. Which is kind of what we are all doing “building our resume / portfolio” he sees it as also. Which is very healthy to understand as an artists. Luke feels “if you don’t have enough credibility behind  you, not too many people would be interested, being active is great. Being active and progressive so that people around me will be as well

Definitely some good shit” as he snacks into a slice of chicken bacon ranch pizza.


We get a little causal, enjoying the pizza for a bit and it strikes me to say, hey where do you see yourself in two years?

He’s really excited to speak on this.

“In two years, 2018 of December – I went there in my mind just now, and it was real-” as he chews into a slice of pizza. He says “in two years i’m comfortable – I have a very busy schedule-”

What do you think it would consist of?

“Recording, writing songs for myself and other people (he mentions ghostwriting out of passion for others possibly), managing a band or another artist, touring and throwing events, thats it”

Hopefully in other cities right?

“-of course”

He brings up that originally he’s from Chicago. Most of the people who listen to my music are from Chicago. I go to ask, do you see yourself remaining independent or DIY for a while or the entirety of your career?

“Yeah I do- Hey what are your favorite rappers, or people you really dig right now?”

I said – Chester Watson is pretty cool,

“Do you like Gucci Mane?”

He’s alright.

“Are you able to separate artists from their art?- like who you are and your art”

We began the discussion then of how most artists are immediately inseparable from their music, that its very common to be see as DIRECTLY apart of what you are listening to. We see that it shapes a lot of the audience you have as well as an artist. We kind of went back and forth about it with an example of how you yourself are talented and you make these certain sounds, but you are going home as a normal person. We talked about Kanye, Luke says “hes a bit lost in the sauce. It’s not his fault


I proceed to say a lot of my favorite rappers are my friends, Austin Rapbaum, Samwyse Ganja, I like E.T. – I like $uicide Boy$, Mike Hazel, Allen Snow from FL, Lil Baphomet – I’m a new Luke Banter fan too.

“I don’t really procrastinate when it comes to getting things done with my art/passion so I give it my all, as far as being an independent artist, you have to be ruthless but also really respectful. Some people really don’t find that balance- I have a lot of room in the industry to be different”

Do you believe in magic?

“Haha yeah of course but- it has to be uh- like what I do is magic basically and the more I do to it, the more magical it becomes”

Do you consider yourself a sorcerer?

“I- I don’t know. I’m definitely- nah i’m not a sorcerer. I think everyone has access to magic. I think everyone would need to figure out what it is. The changes in your life then will seem magical”


As he gives the constant message in his works, to just reach out to him and talk to him if you see him, he encourages human interaction. He carries the vibe that he does in his music- the realness of relationship between artists and the people who admire his work. He always wishes to preserve the relationship between his lovers and friends who help him become who he is. It’s in his blood to accomplish his goals and reach the next milestone.

He reached into his backpack and hands me this work of art/comicbook called Earth’s Boring. I was completely smittened at that point. I can’t wait to read this comic. It’s based off a series of songs he recently put out. You can read this book for yourself, pick one up in person at 8200 Oak st. It’s on sale. Shop local.

“Artists should be explaining what some people can’t. Literature is so contagious, it’s going to influence you somehow. I’m trying to be positive because there’s not a lot that is, it’s life- why not be this way. It’s showing respect , giving a fuck a little bit”

This industry is just weird, people don’t just get big overnight”  Banter states, “Doing these gigs and making music is really memorable to me, these events / shows kind of keep me living- it HAS to happen” he says as he slams his fists onto the table.

He firmly believes in watering your plants, taking care of your family and the people who help you grow.

“I want to do something that makes people proud, I want my family to be proud of what I’m doing”


Luke Banter has a mixtape coming out in a month called Love Stings, so when you are scrolling through your news feed, give that a listen or a share as well. It’ll help.

We realized how much time flew by, concluded our pizza date with some Street Fighter. It was a very humbling experience to learn about this artist, Luke. A very passionate nice fellow of the arts. We can see his drive taking him far.

It’s through interactions like these we find ourselves lucky to be doing the work that we do as portculture. Getting to know emerging artists in this nature has been one of the main source of fuel for this project. We gravitate towards those who are giving it their all in their craft.

So we encourage you to give his social links a view / buzz you can listen to his music here or here and here

View his story and life here:

Instagram: @lukebanterTwitter: @_lukebanter
Soundcloud: @luke-banter

[soundcloud url=”″ params=”color=00aabb&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”450″ iframe=”true” /]

Thank you for taking the time to read this excerpt of our pizza adventure, stick around for more featured artists, subscribe here to know when the next pop up is happening, we would even love to hear from you. We do this because we believe in you.

Author/Writer: Leeaux
Music + Art + Culture

Portculture Exclusive Release – Awkward Glances “Take Control”

Hello friends, family, and loved ones. We would like to share with you the first of many releases via the Portculture music + arts collective. On November 10th we had the pleasure of releasing “Take Control” by Awkward Glances. Ben Guidry, aka Awkward Glances, is a musical cosmonaut from Lafayette, Louisiana. He is a lyricist and producer with intent to carry a message. His latest album #Whatatimefordistraction made it’s appearance on November 11th.

For fans of Flobots, Awkward Glances manifests a lyrical story board that paints a vivid picture of the societal norms, social awkwardness, and the lifestyles of the youth.
When asked what do you desire from your music, clearly you have a message but what exactly do you wish to have happen, Ben answers with:

Promote enough questioning and protests through my art and words so that the overall system can be reformed in a major way  ” –

Which we thought was very interesting and moving – We also asked Ben, what were his thoughts and motives were with his song “Take Control” (listen below), he writes

Mainly it’s about the need for our government to disassemble Geo-political areas and social structures in order to take control of people Above all, it’s a comment on the imperialistic tendencies of America, particularly with its inception through the “manifest destiny” idea.”

You can hear this nearing the end of the song on Soundcloud where it has more of the album easter eggs. He continues explaining

It also mentions contemporary imes as out government tears apart it’s own people by perpetuating violent discord, creating us versus them mentalities in order to remain in power

You can find out for your self  the message he wants to make through giving his music a listen. With influences by: Rage Against The Machine, System Of A Down, and The Flobots his album #Whatatimefordistraction can easily become an emerging work of art from the heart of Louisiana. It’s currently on repeat, it’s just that good.

Social links:
Soundcloud | Instagram | Album: #Whatatimefordistraction

Create Tomorrow with Portculture

We are gifted with the ability to create history. Portculture is honored to be able to write and share history with you all.

What you can expect from us:

  • artist features and interviews
  • concerts and coverage
  • music releases and reviews
  • secret showcases
  • art exhibits
  • podcasts
  • food for the soul

We have various content creators involved in this project sharing their own story. We hope you enjoy.

Upcoming: interview from local creators in Goofy Froot this week and information for the August 3rd music + art showcase.